Friday, August 17, 2012

Pussy Riot - Punk Prayer


A bad day for freedom of expression. 


From a statement released by Yekaterina Samutsevich earlier this month on their trial:

In our performance we dared, without the Patriarch’s blessing, to unite the visual imagery of Orthodox culture and that of protest culture, thus suggesting to smart people that Orthodox culture belongs not only to the Russian Orthodox Church, the Patriarch and Putin, that it could also ally itself with civic rebellion and the spirit of protest in Russia. I now have mixed feelings about this trial. On the one hand, we expect a guilty verdict. Compared to the judicial machine, we are nobodies, and we have lost. On the other hand, we have won. The whole world now sees that the criminal case against us has been fabricated. The system cannot conceal the repressive nature of this trial. Once again, the world sees Russia differently from the way Putin tries to present it at his daily international meetings. Clearly, none of the steps Putin promised to take toward instituting the rule of law have been taken. And his statement that this court will be objective and hand down a fair verdict is yet another deception of the entire country and the international community.




Thursday, August 16, 2012

On A Monday - Catfish Keith

There are some days where nothing will do but a resonator guitar, you know? I think we've all had those days.

So everybody please say Hello to one of the masters of the dobro: Mr. Catfish Keith, shown here performing Leadbelly's 'On a Monday' at a Rural Roots Concert in Southwell Library.

I've always found there's something about the sound of resonators that's otherworldly, rusty and sexy all at once. Catfish himself has one of the goofiest growly voices for both singing and talking, but he pulls it off with be-hatted swagger. He's playing the Half Moon in Putney on November 18th which seems like the absolute best way to see him. Let's all go! Agreed.

Tuesday, August 14, 2012

Chiptune Chuesday: Snuggle Muffin - Microchip


It's our Tuesday staple: a piece of blipblopping beats to move your digital feet.


This track can get pretty booming for a song called Snuggle Muffin (which I can't help but find adorable and annoying but mostly adorable- like a real snuggle muffin!). The track is the closer on  CalmDownKidder Records 'Cheer Up, Emo Kid' compilation, which you should grab (for free) if you enjoy our Chuedays together as many of the tracks are drawn from it.

Happy Chuesday!

Thursday, August 9, 2012

4 Aces - The Texas Tornados


I did not plan on writing about 4 Aces today, but this song has been on such a loop through my head ALL DAMN DAY that I needed to infect all of you as well.


Enjoy the propulsive texmexejano stylings of The Texas Tornados on this warm London evening (or you know- wherever you are). And be prepared for accordions to stamp through your dreams like demon slinkys.

Wednesday, August 8, 2012

Willie the Chimney Sweeper - Ernest Rodgers

The ur-Minnie the Moocher. This haunting recording of Atlanta journalist Ernest Rodgers (a self proclaimed 'citybilly') was cut in 1927 on wax cylinder. The wonderfully surreal imagery of Willie's drug trip is held in perfect balance with Rodgers ghostly cries in between each verse. In fact I could have used  a whole extra rendition of the song without any of the verses- just the spindly guitar and mourning cries. Haunting, funny, and timeless.

Tuesday, August 7, 2012

Chiptune Chuesday: Mad World - Vector Leaf


This chipped out version of Tears for Fears 'Mad World' was used by the culture'n'science'n'politics blog Boing Boing in the above fabulous video charting video game arcade deaths throughout history . The chips were chiseled by Vector Leaf, better known as Rob Beschizza, one of the happy mutants over at Boing Boing.

In some ways I actually prefer the smokier and moodier version of the song Beschizza uploaded for your aural pleasure HERE.

Otherwise please join me in a rousing: DAH DAH NAH NAH NAH NAH WORN OUT FAAAAACES!

Happy Chuesday!

Monday, August 6, 2012

The Big Noise From Winnetka - Bob Haggart & Ray Bauduc


The Big Noise From Winnetka is barest of bones jazz rhythm stretched to its breathless breaking point. Bassist (and damn fine whistler) Bob Haggart and drummer Ray Bauduc made up the rhythm section of Bob Crosby's Bobcats, a swing band mainly active during the 30s/40s but have reunited endlessly over the years. During a 1938 performance at Blackhawks Restaurant in Chicago (the Chicago Loop area, to be precise), Crosby and the rest of the Bobcats were late returning from a break so Haggart and Bauduc began jamming. And what a big noise they made.


The song is thriller music incarnate. It's cool and classy while wired and paranoid. A bit like straddling a caffeine rush between the high and the jitters. Haggart's fine lines stride and shake, jumping up and down the neck like doped up fleas. Bauduc concocts a triptrapping rhythm that seems to utilize each section of his drumkit in a series of consecutive solos before turning into an EVEN BIGGER solo around the halfway mark. Then! The really cool part happens. Right around the 1:40 mark, Bauduc starts playing his sticks on Haggart's bass strings. Haggart in turn keeps fingering the neck, creating a fabulously percussive bass solo which becomes the ultimate stripped down expression of the rhythm section in a band.


The pair kept playing the song (Crosby loved it) over the years. It's been used in countless films, has been reworked with a full band and vocals (nowhere near as powerful as the genuine article), and has firmly entrenched itself in history as one of those songs where it just sounds so natural- so intuitive -that you can't help but think, "DAMN IT. I know this song from somewhere. But WHERE?"

Saturday, August 4, 2012

Bob Ross and Mr. Rogers Remixed - PBS & Melodysheep

That all got a bit heavy yesterday didn't it? Even for a Friday. So today we're going to provide a salve for your depressed ear drums with two of The Happiest People Ever: MADE EVEN HAPPIER.

These videos are part of the Icons Remixed series PBS have launched on their YouTube channel in conjunction with Melodysheep (a.k.a. John D. Boswell) of the Symphony of Science remixes.


Bob Ross may be better known to you as that painter dude with the wicked afro. His show Joy of Painting ran for eleven years on PBS, and remains one of the most positive viewing experiences you will ever have. Ross was known for his soporific-level relaxing voice and uber positive outlook, but prior to his success as a painter he held down numerous positions in the military which required him to be an absolute bastard. He vowed that once he escaped those jobs he would never shout again- presumably unless he became particularly excited by a particularly happy little cloud.

The remix is saccharine as hell, but it makes me stupid happy. Sometimes we need to live in a world of no mistakes, only happy accidents.


Mr. Rogers was a children's entertainer, educator and minister whose show Mr. Rogers' Neighbourhood ran from 1963 to 2001 on American Television. Every week children were invited to explore the land of make believe. The adult world was glimpsed through the window. And many (MANY) sweaters were worn.

In this video Mr. Rogers is a cross between your favourite teacher, your parents when they could do no wrong in your eyes, and Timothy Leary.

Autotune remixes are a staple of YouTube. These videos are not explosively new ideas. But, unlike most autotune remixes, they don't feel like they were tossed out in five minutes. There's a genuine mood and exploration of character within the songs which I find fascinating. I love the idea of taking soundbites from a media personality and crafting a distillation of their outlook into music. More please.

Friday, August 3, 2012

TGIF! Let's Have Some DEATH: Prayer to God - Shellac

We're alive! Here's a song about dying!


Well, a song about killing. And praying!

Shellac are the heavy, metallic, noisy rock minimalists comprised of Steve Albini, Bob Weston and Todd Trainer. Albini's name alone should let you know what kind of ragged sonic experience you're in for. He's created a towering collection of hardest of hardcore albums, was the driving force behind Big Black, and produced amongst other bands Nirvana (In Utero), The Pixies (Surfer Rosa) and PJ Harvey (Rid of Me). Combo his already harsh tendencies with the raw production techniques of Weston and your ears will begin to sweat and bleed before you even press the play button.


And boy is this song bloody. Every guitar and bass chord slams home into your tendons like bundles of hot wires. The drums pop and explode and thump their way into flakes of dust, metal and drumsticks. There's a primal brutality to the sound which is mirrored perfectly by the black as pitch lyrics.

There's an unnerving elegance to how simply the rage runs. We have all wanted people to die. You don't do it because that would be bad. And maybe you don't really want to kill someone anyway. Seems hard. But thinking about it late it at night, praying to your own personal Hate for it- those are the moments which this song has captured in their entirety.

So. Remember you are mortal.

And TGIF!